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The Cloud of Unknowing
Introduction
by
Evelyn Underhill
The little family of mystical treatises which is known to students as "the
Cloud of Unknowing group," deserves more attention than it has hitherto
received from English lovers of mysticism: for it represents the first
expression in our own tongue of that great mystic tradition of the Christian
Neoplatonists which gathered up, remade, and "salted with Christ's salt" all
that was best in the spiritual wisdom of the ancient world.
Nothing is known of him; beyond the fact, which seems clear from his
writings, that he was a cloistered monk devoted to the contemplative life.
It has been thought that he was a Carthusian. But the rule of that austere
order, whose members live in hermit-like seclusion, and scarcely meet except
for the purpose of divine worship, can hardly have afforded him opportunity
of observing and enduring all those tiresome tricks and absurd mannerisms of
which he gives so amusing and realistic a description in the lighter
passages of the Cloud.
These passages betray the half-humorous exasperation
of the temperamental recluse, nervous, fastidious, and hypersensitive,
loving silence and peace, but compelled to a daily and hourly companionship
with persons of a less contemplative type: some finding in extravagant and
meaningless gestures an outlet for suppressed vitality; others overflowing
with a terrible cheerfulness like "giggling girls and nice japing jugglers";
others so lacking in repose that they "can neither sit still, stand still,
nor lie still, unless they be either wagging with their feet or else
somewhat doing with their hands." Though he cannot go to the length of
condemning these habits as mortal sins, the author of the Cloud leaves us in
no doubt as to the irritation with which they inspired him, or the distrust
with which he regards the spiritual claims of those who fidget.
Everything points to it being the work of an original
mystical genius, of strongly marked character and great literary ability:
who, whilst he took the framework of his philosophy from Dionysius the
Areopagite, and of his psychology from Richard of St. Victor, yet is in no
sense a mere imitator of these masters, but introduced a genuinely new
element into mediaeval religious literature.
What, then, were his special characteristics? Whence came the fresh
colour which he gave to the old Platonic theory of mystical experience?
First, I think, from the combination of high spiritual gifts with a vivid
sense of humour, keen powers of observation, a robust common-sense: a
balance of qualities not indeed rare amongst the mystics, but here presented
to us in an extreme form. In his eager gazing on divinity this contemplative
never loses touch with humanity, never forgets the sovereign purpose of his
writings; which is not a declaration of the spiritual favours he has
received, but a helping of his fellow-men to share them.
Next, he has a great simplicity of outlook, which enables him to present the result of his
highest experiences and intuitions in the most direct and homely language.
So actual, and so much a part of his normal existence, are his apprehensions
of spiritual reality, that he can give them to us in the plain words of
daily life: and thus he is one of the most realistic of mystical writers.
He abounds in vivid little phrases--"Call sin a lump": "Short prayer pierceth
heaven": "Nowhere bodily, is everywhere ghostly": "Who that will not go the
strait way to heaven, . . . shall go the soft way to hell."
His range of experience is a wide one. He does not disdain to take a hint from the
wizards and necromancers on the right way to treat the devil; he draws his
illustrations of divine mercy from the homeliest incidents of friendship and
parental love. A skilled theologian, quoting St. Augustine and Thomas
Aquinas, and using with ease the language of scholasticism, he is able, on
the other hand, to express the deepest speculations of mystical philosophy
without resorting to academic terminology: as for instance where he
describes the spiritual heaven as a "state" rather than a "place":
"For heaven ghostly is as nigh down as up, and up as down: behind as
before, before as behind, on one side as other. Insomuch, that whoso had a
true desire for to be at heaven, then that same time he were in heaven
ghostly. For the high and the next way thither is run by desires, and not by
paces of feet."
His writings, though they touch on many subjects, are chiefly concerned
with the art of contemplative prayer; that "blind intent stretching to God"
which, if it be wholly set on Him, cannot fail to reach its goal. A peculiar
talent for the description and discrimination of spiritual states has
enabled him to discern and set before us, with astonishing precision and
vividness, not only the strange sensations, the confusion and bewilderment
of the beginner in the early stages of contemplation--the struggle with
distracting thoughts, the silence, the dark--and the unfortunate state of
those theoretical mystics who, "swollen with pride and with curiosity of
much clergy and letterly cunning as in clerks," miss that treasure which is
"never got by study but all only by grace"; but also the happiness of those
whose "sharp dart of longing love" has not "failed of the prick, the which
is God."
A great simplicity characterises his doctrine of the soul's attainment
of the Absolute. For him there is but one central necessity: the perfect and
passionate setting of the will upon the Divine, so that it is "thy love and
thy meaning, the choice and point of thine heart." Not by deliberate ascetic
practices, not by refusal of the world, not by intellectual striving, but by
actively loving and choosing, by that which a modern psychologist has called
"the synthesis of love and will" does the spirit of man achieve its goal.
"For silence is not God," he says in the Epistle of Discretion, "nor
speaking is not God; fasting is not God, nor eating is not God; loneliness
is not God, nor company is not God; nor yet any of all the other two such
contraries. He is hid between them, and may not be found by any work of thy
soul, but all only by love of thine heart. He may not be known by reason, He
may not be gotten by thought, nor concluded by understanding; but He may be
loved and chosen with the true lovely will of thine heart. . . . Such a
blind shot with the sharp dart of longing love may never fail of the prick,
the which is God."
To him who has so loved and chosen, and "in a true will and by an whole
intent does purpose him to be a perfect follower of Christ, not only in
active living, but in the sovereignest point of contemplative living, the
which is possible by grace for to be come to in this present life," these
writings are addressed. In the prologue of the Cloud of Unknowing we find
the warning, so often prefixed to mediaeval mystical works, that it shall on
no account be lent, given, or read to other men: who could not understand,
and might misunderstand in a dangerous sense, its peculiar message. Nor was
this warning a mere expression of literary vanity. If we may judge by the
examples of possible misunderstanding against which he is careful to guard
himself, the almost tiresome reminders that all his remarks are "ghostly,
not bodily meant," the standard of intelligence which the author expected
from his readers was not a high one. He even fears that some "young
presumptuous ghostly disciples" may understand the injunction to "lift up
the heart" in a merely physical manner; and either "stare in the stars as if
they would be above the moon," or "travail their fleshly hearts outrageously
in their breasts" in the effort to make literal "ascensions" to God.
Eccentricities of this kind he finds not only foolish but dangerous; they
outrage nature, destroy sanity and health, and "hurt full sore the silly
soul, and make it fester in fantasy feigned of fiends." He observes with a
touch of arrogance that his book is not intended for these undisciplined
seekers after the abnormal and the marvellous, nor yet for "fleshly
janglers, flatterers and blamers, . . . nor none of these curious, lettered,
nor unlearned men." It is to those who feel themselves called to the true
prayer of contemplation, to the search for God, whether in the cloister or
the world--whose "little secret love" is at once the energizing cause of all
action, and the hidden sweet savour of life--that he addresses himself.
These he instructs in that simple yet difficult art of recollection, the
necessary preliminary of any true communion with the spiritual order, in
which all sensual images, all memories and thoughts, are as he says,
"trodden down under the cloud of forgetting" until "nothing lives in the
working mind but a naked intent stretching to God." This "intent
stretching"--this loving and vigorous determination of the will--he regards
as the central fact of the mystical life; the very heart of effective
prayer. Only by its exercise can the spirit, freed from the distractions of
memory and sense, focus itself upon Reality and ascend with "a privy love
pressed" to that "Cloud of Unknowing"--the Divine Ignorance of the
Neoplatonists--wherein is "knit up the ghostly knot of burning love betwixt
thee and thy God, in ghostly onehead and according of will."
There is in this doctrine something which should be peculiarly
congenial to the activistic tendencies of modern thought. Here is no taint
of quietism, no invitation to a spiritual limpness. From first to last glad
and deliberate work is demanded of the initiate: an all-round wholeness of
experience is insisted on. "A man may not be fully active, but if he be in
part contemplative; nor yet fully contemplative, as it may be here, but if
he be in part active." Over and over again, the emphasis is laid on this
active aspect of all true spirituality--always a favourite theme of the
great English mystics. "Love cannot be lazy," said Richard Rolle. So too for
the author of the Cloud energy is the mark of true affection. "Do forth
ever, more and more, so that thou be ever doing. . . . Do on then fast; let
see how thou bearest thee. Seest thou not how He standeth and abideth thee?"
True, the will alone, however ardent and industrious, cannot of itself
set up communion with the supernal world: this is "the work of only God,
specially wrought in what soul that Him liketh." But man can and must do his
part. First, there are the virtues to be acquired: those "ornaments of the
Spiritual Marriage" with which no mystic can dispense. Since we can but
behold that which we are, his character must be set in order, his mind and
heart made beautiful and pure, before he can look on the triple star of
Goodness, Truth, and Beauty, which is God. Every great spiritual teacher has
spoken in the same sense: of the need for that which Rolle calls the
"mending of life"--regeneration, the rebuilding of character--as the
preparation of the contemplative act.
For the author of the Cloud all human virtue is comprised in the twin
qualities of Humility and Charity. He who has these, has all. Humility, in
accordance with the doctrine of Richard of St. Victor, he identifies with
self-knowledge; the terrible vision of the soul as it is, which induces
first self-abasement and then self-purification--the beginning of all
spiritual growth, and the necessary antecedent of all knowledge of God.
"Therefore swink and sweat in all that thou canst and mayst, for to get thee
a true knowing and a feeling of thyself as thou art; and then I trow that
soon after that, thou shalt have a true knowing and a feeling of God as He
is."
As all man's feeling and thought of himself and his relation to God is
comprehended in Humility, so all his feeling and thought of God in Himself
is comprehended in Charity; the self-giving love of Divine Perfection "in
Himself and for Himself" which Hilton calls "the sovereign and the essential
joy." Together these two virtues should embrace the sum of his responses to
the Universe; they should govern his attitude to man as well as his attitude
to God. "Charity is nought else . . . but love of God for Himself above all
creatures, and of man for God even as thyself."
Charity and Humility, then, together with the ardent and industrious
will, are the necessary possessions of each soul set upon this adventure.
Their presence it is which marks out the true from the false mystic: and it
would seem, from the detailed, vivid, and often amusing descriptions of the
sanctimonious, the hypocritical, the self-sufficient, and the self-deceived
in their "diverse and wonderful variations," that such a test was as greatly
needed in the "Ages of Faith" as it is at the present day. Sham spirituality
flourished in the mediaeval cloister, and offered a constant opportunity of
error to those young enthusiasts who were not yet aware that the true
freedom of eternity "cometh not with observation." Affectations of sanctity,
pretense to rare mystical experiences, were a favourite means of
advertisement. Psychic phenomena, too, seem to have been common: ecstasies,
visions, voices, the scent of strange perfumes, the hearing of sweet sounds.
For these supposed indications of Divine favour, the author of the Cloud has
no more respect than the modern psychologist: and here, of course, he is in
agreement with all the greatest writers on mysticism, who are unanimous in
their dislike and distrust of all visionary and auditive experience. Such
things, he considers, are most often hallucination: and, where they are not,
should be regarded as the accidents rather than the substance of the
contemplative life--the harsh rind of sense, which covers the sweet nut of
"pure ghostliness." Were we truly spiritual, we should not need them; for
our communion with Reality would then be the direct and ineffable
intercourse of like with like.
Moreover, these automatism are amongst the most dangerous instruments
of self-deception. "Ofttimes," he says of those who deliberately seek for
revelations, "the devil feigneth quaint sounds in their ears, quaint lights
and shining in their eyes, and wonderful smells in their noses: and all is
but falsehood." Hence it often happens to those who give themselves up to
such experiences, that "fast after such a false feeling, cometh a false
knowing in the Fiend's school: . . . for I tell thee truly, that the devil
hath his contemplatives, as God hath His." Real spiritual illumination, he
thinks, seldom comes by way of these psycho-sensual automatism "into the
body by the windows of our wits." It springs up within the soul in
"abundance of ghostly gladness." With so great an authority it comes,
bringing with it such wonder and such love, that "he that feeleth it may not
have it suspect." But all other abnormal experiences--"comforts, sounds and
gladness, and sweetness, that come from without suddenly"--should be set
aside, as more often resulting in frenzies and feebleness of spirit than in
genuine increase of "ghostly strength."
This healthy and manly view of the mystical life, as a growth towards
God, a right employment of the will, rather than a short cut to hidden
knowledge or supersensual experience, is one of the strongest
characteristics of the writer of the Cloud; and constitutes perhaps his
greatest claim on our respect. "Mean only God," he says again and again;
"Press upon Him with longing love"; "A good will is the substance of all
perfection." To those who have this good will, he offers his teaching:
pointing out the dangers in their way, the errors of mood and of conduct
into which they may fall. They are to set about this spiritual work not only
with energy, but with courtesy: not "snatching as it were a greedy
greyhound" at spiritual satisfactions, but gently and joyously pressing
towards Him Whom Julian of Norwich called "our most courteous Lord." A glad
spirit of dalliance is more becoming to them than the grim determination of
the fanatic.
"Shall I, a gnat which dances in Thy ray,
Dare to be reverent."
Further, he communicates to them certain "ghostly devices" by which
they may overcome the inevitable difficulties encountered by beginners in
contemplation: the distracting thoughts and memories which torment the self
that is struggling to focus all its attention upon the spiritual sphere. The
stern repression of such thoughts, however spiritual, he knows to be
essential to success: even sin, once it is repented of, must be forgotten in
order that Perfect Goodness may be known. The "little word God," and "the
little word Love," are the only ideas which may dwell in the contemplative's
mind. Anything else splits his attention, and soon proceeds by mental
association to lead him further and further from the consideration of that
supersensual Reality which he seeks.
The primal need of the purified soul, then, is the power of
Concentration. His whole being must be set towards the Object of his craving
if he is to attain to it: "Look that nothing live in thy working mind, but a
naked intent stretching into God." Any thought of Him is inadequate, and for
that reason defeats its own end--a doctrine, of course, directly traceable
to the "Mystical Theology" of Dionysius the Areopagite. "Of God Himself can
no man think," says the writer of the Cloud, "And therefore I would leave
all that thing that I can think, and choose to my love that thing that I
cannot think." The universes which are amenable to the intellect can never
satisfy the instincts of the heart.
Further, there is to be no wilful choosing of method: no fussy activity
of the surface-intelligence. The mystic who seeks the divine Cloud of
Unknowing is to be surrendered to the direction of his deeper mind, his
transcendental consciousness: that "spark of the soul" which is in touch
with eternal realities. "Meddle thou not therewith, as thou wouldest help
it, for dread lest thou spill all. Be thou but the tree, and let it be the
wright: be thou but the house, and let it be the husbandman dwelling
therein."
In the Epistle of Privy Counsel there is a passage which expresses with
singular completeness the author's theory of this contemplative art--this
silent yet ardent encounter of the soul with God. Prayer, said Mechthild of
Magdeburg, brings together two lovers, God and the soul, in a narrow room
where they speak much of love: and here the rules which govern that meeting
are laid down by a master's hand. "When thou comest by thyself," he says,
"think not before what thou shalt do after, but forsake as well good
thoughts as evil thoughts, and pray not with thy mouth but list thee right
well. And then if thou aught shalt say, look not how much nor how little
that it be, nor weigh not what it is nor what it bemeaneth . . . and look
that nothing live in thy working mind but a naked intent stretching into
God, not clothed in any special thought of God in Himself. . . . This naked
intent freely fastened and grounded in very belief shall be nought else to
thy thought and to thy feeling but a naked thought and a blind feeling of
thine own being: as if thou saidest thus unto God, within in thy meaning,
`That what I am, Lord, I offer unto Thee, without any looking to any quality
of Thy Being, but only that Thou art as Thou art, without any more.' That
meek darkness be thy mirror, and thy whole remembrance. Think no further of
thyself than I bid thee do of thy God, so that thou be one with Him in
spirit, as thus without departing and scattering, for He is thy being, and
in Him thou art that thou art; not only by cause and by being, but also, He
is in thee both thy cause and thy being. And therefore think on God in this
work as thou dost on thyself, and on thyself as thou dost on God: that He is
as He is and thou art as thou art, and that thy thought be not scattered nor
departed, but proved in Him that is All."
The conception of reality which underlies this profound and beautiful
passage, has much in common with that found in the work of many other
mystics; since it is ultimately derived from the great Neoplatonic
philosophy of the contemplative life. But the writer invests it, I think,
with a deeper and wider meaning than it is made to bear in the writings even
of Ruysbroeck, St. Teresa, or St. John of the Cross. "For He is thy being,
and in Him thou art that thou art; not only by cause and by being, but also,
He is in thee both thy cause and thy being." It was a deep thinker as well
as a great lover who wrote this: one who joined hands with the philosophers,
as well as with the saints.
"That meek darkness be thy mirror." What is this darkness? It is the
"night of the intellect" into which we are plunged when we attain to a state
of consciousness which is above thought; enter on a plane of spiritual
experience with which the intellect cannot deal. This is the "Divine
Darkness"--the Cloud of Unknowing, or of Ignorance, "dark with excess of
light"--preached by Dionysius the Areopagite, and eagerly accepted by his
English interpreter. "When I say darkness, I mean a lacking of knowing . . .
and for this reason it is not called a cloud of the air, but a cloud of
unknowing that is betwixt thee and thy God." It is "a dark mist," he says
again, "which seemeth to be between thee and the light thou aspirest to."
This dimness and lostness of mind is a paradoxical proof of attainment.
Reason is in the dark, because love has entered "the mysterious radiance of
the Divine Dark, the inaccessible light wherein the Lord is said to dwell,
and to which thought with all its struggles cannot attain."
"Lovers," said Patmore, "put out the candles and draw the curtains,
when they wish to see the god and the goddess; and, in the higher communion,
the night of thought is the light of perception." These statements cannot be
explained: they can only be proved in the experience of the individual soul.
"Whoso deserves to see and know God rests therein," says Dionysius of that
darkness, "and, by the very fact that he neither sees nor knows, is truly in
that which surpasses all truth and all knowledge."
"Then," says the writer of the Cloud--whispering as it were to the
bewildered neophyte the dearest secret of his love--"then will He sometimes
peradventure send out a beam of ghostly light, piercing this cloud of
unknowing that is betwixt thee and Him; and show thee some of His privity,
the which man may not, nor cannot speak."
For the full text of The Cloud of Unknowing
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